Italian, 1846-1884 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism,  Related Paintings of Giuseppe de nittis :. | The Place des Pyramides | In the Fields Around London (nn02) | Breakfast in the Garden | Field of Snow n.d (nn02) | Presso al lago by Giuseppe de Nittis (1848-1884) oil painting (1880), Pinacotecca De Nittis, Barletta, Italy |
Related Artists:
Francesco Granacci
1477-1543 Italian Francesco Granacci Galleries Born at Villamagna di Volterra, he trained in Florence at the studio of Domenico Ghirlandaio, and was employed painting frescoes for San Marco on commission of Lorenzo de'Medici. He is featured in Giorgio Vasari's Vite. His early works were influenced from the style of Filippino Lippi, like the Enthroned Madonna between Saint Michael and John the Baptist (Staatliche Museen, Berlin), Adoration of the Child (Honolulu Academy of Arts) and four histories of Saint John the Baptist. In 1508, Granacci went to Rome, where, with other artists, he helped Michelangelo transfer cartoons to the Sistine chapel ceiling. The two artists were lifelong friends. Returning to Florence, Granacci painted a Madonna with Child with Saints Francesco and Jerome for the Augustinian convent of San Gallo (now in the Gallery of the Academy), a Madonna della Cintola for the Company of San Benedetto Bigi, and in 1515 he participated in creating the decorations to celebrate the visit to Florence of Pope Leo X.
Lucas Furtenagel
1505-1546
Pieter Gysels
1621-1691 Flemish Pieter Gysels Gallery Flemish painter. He began his training in 1641, when he was already 20, with Antwerp painter Jan Boots. Houbraken assumed he was also apprenticed to Jan Breughel II, whose diary describes a painting completed in 1638 as a 'small wild boar somewhat touched up by Gys' ('een klein wilt verxken voor Gys wat geretosieert'). But it seems highly doubtful that, as van der Sanden claimed (Denuce, p. 155), 'Gys' refers to Pieter Gysels. In 1649 or 1650 he became a master in Antwerp's Guild of St Luke. It is not known whether he took on any pupils. On 13 November 1650 he married Joanna Huybrecht, who bore him six children.